Showing posts with label self-publishing. Show all posts
Showing posts with label self-publishing. Show all posts

Monday, May 2, 2016

The World's Only Podcast

Where the hell have I been?

Anyway: today marks the launch of the first episode of the World's Only Podcast (the Only Podcast in the World)!

In partnership with my dear friends at aois21, and their growing podcast network, Josh Silberman and I are co-hosting a monthly discussion/gripe-fest on the issues of the day. This month, we're talking about Donald Trump, comic book movies, sex-bots, and other harbingers of the downfall of our Republic.

I'm excited about this because I love podcasts and this is a pretty cool thing to be a part of. You can listen at iTunes, Sticher Radio, Google Play, and at aois21.com. We hope you enjoy! And if you don't, go to hell we'll do better next time.

Wednesday, January 21, 2015

Who Wants to Hang Out on Thursday?

Hey, everybody. I'll be reading live and in person at Upshur Street Books on January 22nd. That's tomorrow if you're reading this today, today if you're reading this tomorrow, and yesterday if you're reading this on Friday (in which case, you can ignore this and enjoy your weekend). We'll be starting around 7pm and going until they kick me out. Come talk with me, check out Nos Populus, and support a small, local bookstore. All in one crazy* Thursday night.

aois21 will also be in attendance, if you're a writer looking for some guidance.

Hope to see you there, hiding in the back, desperately hoping not to be noticed and called on to speak up or do something else potentially embarrassing, as I'm sure many of my readers will. That's how I'd approach it, anyway.

*The author will not be held responsible for the level of craziness to be found at the advertised event.

Tuesday, December 23, 2014

Unified Field Theory

Ask me why I write and I treat the question like a riddle. And riddles make me suspicious and defensive

I've yet to find my own satisfactory answer to the "why do you write" question. Christopher Hitchens got close with his Descartian "being a writer's what I am rather than what I do." Hitchens at that time was facing not just his own morality but the ability to to the thing he loves even before his body succumbed. I don't have either problem, so I don't view it so starkly. Orwell also provided a decent answer, but no one asking the question wants an essay-length response. And I don't want to give one. And he did it better than I could, anyway. 

This is all to say that the follow up to my first aois21's Creative Speaking video (viewable here) sees me squirm a bit before getting comfortable enough to offer a take on my favorite definition of writing: playing with the scribbles on the page. I'm happiest when parsing ideas and thoughts and phrasings to within an inch of their lives. Some people follow those passions all the way to law school. Luckily, I've had some excellent guidance in my life and avoided that trap. I use my powers for good, dammit.

And, growing up, as I read more and more--Orwell, Lewis, Moore, others who did well for themselves playing with scribbles--I decided that that was what I wanted to do with my life. As though a particularly ambitious sea slug watched Michael Jordan play basketball and said, "hey that looks like fun." Some people want there to be a grand and deep-sounding philosophical approach to the why of writing. Or at least I want that. It would be comforting to me. But the truth is that I write because I can and because it's fun and because it's consistently occasionally rewarding. Like drinking. And that, dear readers, is the origin of the name of this blog. 

These videos will continue to trickle out over the next year/few months. I'll let you know when they debut.

Tuesday, July 15, 2014

In Which I Look Awkward on Camera

As part of my partnership with aois21, here is the first of several promotional videos for Nos Populus and The Half-Drunken Scribe. For regular readers, there's not a lot here that's new, but you get to see my t-shirt with its stretched-out collar and hear my Tracey Ullman-era Homer Simpson voice* talking about my writing. And blinking... so much blinking.

My apologies to aois21 for not having prepared for this any better. I could've at least worn a decent shirt. I can't take myself anywhere. If I had prepared more, I would've had more to say, but I'm not all that eloquent when on the spot. I tend to just let syllables fall out of my mouth and hope for the best.

I'll probably definitely think of some more footnotes later but just to start: I was glib in talking about the difficulty of making politics seem more absurd than they are. I'd shudder if I heard that kind of oversimplification coming out of someone else. So if I can be given a chance to explain (which, hey, I have been): Congress is terrible. We all agree? Good, moving on. No, I don't choose difficult targets. But my fear while writing Nos Populus was that transcribing real speeches and documenting real events (which might've been possible in this context) wouldn't have translated and probably would've come off boring, instead of clownish and nauseating. So I decided to amplify the inanity that already was/is, subsequently creating more work for myself.

Second, in an upcoming video, I mention Sinclair Lewis as an influence. For completeness' sake, this is the book that first sparked the idea that would become Nos Populus, an influence I've mentioned before. Sad to say, that book is not one of Lewis' best (there's a reason it was out of print for so many years). Instead, I'd suggest starting with Main Street, a book that got Lewis into some trouble, forcing him to create the fictional city of Zenith, Winnemac, so he could have a setting for his yarns that didn't offend the thin-skinned reading public of the 1920s (we're bigger than that now). 

That's it for now. More videos to come.

*The voice was initially based on Walter Matthau, but it always sounded to me like Matthau talking into a dimwit filter. Which, in a way...

Wednesday, March 5, 2014

Good News, Half-Drunken fans!

As of yesterday, Nos Populus is under the guardianship of aois21 publishing. aois21 is a marketing company, providing distribution and promotion for emerging writers and I couldn't be happier to be working with them. And not just because they made me the subject of a press release that didn't come from the police and says nothing about petty larceny (making my 8th grade French teacher's bold prognostication two-thirds wrong).

Nos Populus will soon be available at places other than Amazon (though it will remain at Amazon too). I've been looking for a way to do that for almost... two years? Really? Wow, I'm bad at this. Anyway, Nos Populus is available for pre-order through aois21. It'll be available (in e-book format) at Smashwords by Friday and at Kobo by Monday. And at some point in the near future, it'll also be available at Barnes & Noble, meaning the book will finally be Nook-ready. I will update and provide links to all of that as it happens.

I spent some time last week bemoaning the lack of progress on my first novel and how self-publishing--for all its charms--can be a draining, deflating process. That's mostly still true, but a few rays of hope can at least make the situation look nicer. I owe a huge thanks to Keith Shovlin, who provided me with this opportunity even though I only threatened him a little. He's a self-published author, too, so he knows what this means as much as--or perhaps more than--I do. That's why aois21 exists, after all.

Anyway, that's it for now. Updates to come. As you were, people.

Thursday, February 27, 2014

I'd Call Myself "DVR-Man"

Please tell me that Nos Populus' description doesn't read like this:
The Clueless Dead is written as a vampire story from the male perspective and to counter a large number of annoying themes that have become prevalent in several works of vampire fiction. My character is an ordinary guy, a professional musician (but not a rockstar). He is transformed into a vampire as a result of a series of coincidences. He then must deal with the consequences of having vampire powers as well as the temptations involved in possessing the ability to mentally manipulate people, besides the spiritual quandary of being a vampire and a Christian.
To the guy who wrote that, to Keith Greenwood, author of The Clueless Dead: well done. Seriously. You put yourself out there, didn't pull your punches. Me? I draped myself in inches-thick armor and tried to look just enigmatic enough for surely-jaded agents and publishers. They're not as cruel as the Internet, but they have a fair bit more power over your dreams, so the way you carry yourself ends up looking just as awkward. Only weeks after self-publishing Nos Populus, I realized the vampiric route might've been more successful. At least then I could say I had really gone for it.

No one wants to read something written by a 25-year old. I get that. I spent seven years on Nos Populus and if it wasn't in shape to publish at that stage, it was never going to be. But if after seven years of work, my only other option was to let it rot on a flash drive that will itself be outmoded inside of ten years... well.

Self-publishing, like writing, is an honorable and demeaning bitch goddess. No reasonable person would ever say that the people who do it deserve more respect than proper-published authors. But they go for it, knowing full well that lesser writing is getting obscene advances and that they themselves will probably never make it. It's a special kind of delusion and they're doing everything in their power to materialize a goal that would've been far more absurd just twenty years ago.

I have few regrets about publishing my practice novel. A few syntax errors. My plot structure wasn't ideal, either. But I don't think it's bad. Sometimes Frequently, the most noble option is to keep walking. Worry about finding a direction later. I'm not done with Nos Populus just yet (still for sale) and I'm going to be trying something new with it; I'll let you know about that. But close to two years on, I have to focus on what's next.

Now if only I could freeze time. Ooh, and maybe I could also reverse time. And make it go forward. Just manipulating time in minor chunks, basically. On the order of a couple of hours each direction. Not enough to truly screw things up, but enough to stop (cause?) crime. That would be so sweet.

... Tangents like these don't help the writing process much, do they?

Saturday, October 19, 2013

At This Rate, I'll Never Shoot Lincoln

Today I am as old--to the day--as John Wilkes Booth was when he shot Lincoln. At this rate, I'll never shoot Lincoln. Steve Bartman was roughly my age when--ten years ago this week--he entered a strata that, in the eyes of slightly stupider Cubs fans, is roughly Booth's moral level.

I don't believe in quarter-life crises; one of about sixteen reasons I don't work for Buzzfeed. I enrolled in grad school to reach toward better, happier life. And I'll make it there, I'm starting to think, even if if 2016 seems years away. As I inch closer to 27, a quiet and dignified jaunt to 30 and beyond seems less shameful.

My writing was not a ticket to premature fame. Maybe it's the Dogfish Head Raison D'Etre talking, but for the first time in my life, I'm entirely okay with that. I was always at least mildly comfortable with it, or I'd never have gone the self-publishing route. I've made my peace with all that. I was never built for public scrutiny, anyway.

If it happens one day, if I explode out of here, well... it happens. And it'll be unfortunate for me and for the rest of the universe. But I'll be better prepared for it than I was at 25, when I self-published Nos Populus, when I started this blog. If it doesn't happen--if this poorly-named blog is all the outlet I ever have--that might be better still.

Buy Nos Populus here. Or don't. Up to you.

Friday, September 27, 2013

Nos Populus MatchBook deal

If you've ever bought a book from Amazon --e-book or physical--then starting this weekend you can purchase a Kindle copy of Nos Populus for $1.99.

That's right: my self-published, little-regarded book still exists and your chance to grab a cheap copy is now soon. Keep an eye on the page because I don't know exactly when the deal begins (Kindle Direct Publishing needs a few hours to process, apparently; Bezos now runs everything on the old media schedule, I suppose). But when it does, it'll continue into December (e-books work as stocking stuffers, right?).

And tell your friends, too. Annoy them even. Toss this deal in their stupid faces until your relationship with them is in serious jeopardy. And then burn their houses down. You can tell the police I told you to do it. Don't worry, I'll deny the whole thing.

Alternatively, you and your friends can check out excerpts from the book here, here, and here. And some in-depth examination here, here, and here. That'll be better for your friendships in the long run and save you the cost of gasoline and matches.

Tuesday, June 4, 2013

Nine Billion Copies!

Over at The Writer's Circle, Mia Siegert has penned a piece on the philosophy of "writing for oneself." She argues that such a claim augurs a kind of narcissism and that many writers use it as a way to avoid having their work peeled apart by others. She says, in part:
I’m not saying nor suggesting that one should write with the sole purpose of gaining audience approval, but observing that the mentality behind writing for one’s self can be and often is problematic. Those writers with too much self often don’t deal well with criticism, if they can cope with it at all...
[t]he way one deals with critique is critical to a writer’s future successes and ability and willingness to improve.
All true. Though, how many people genuinely enjoy criticism, even the constructive kind? By the way, appreciating and valuing that part of the process in helping to improve writing is not the same thing as enjoying it.

Certainly, "I write for myself" can be and is used as a hedge, covering anything from insecurity to laziness. But isn't that also where writers tend to start? How about ultra-personal diary-type material, (though I'd think that a person probably wouldn't discuss such a thing in public)? And what are writing exercises if not "writing for oneself?"

Maybe it's a matter of degree. If a writer claims that all of their writing is for their eyes only, it will sound lame. But, in addition to not having to listen to that person, we should remember that any decent writing will typically start "for oneself"--writing as practice, or therapy--before evolving into something the writer feels will fairly reflect on themselves and their skills in the larger, harsher world. Nos Populus was a combination of the two, vacillating back and forth over a few years until I decided it was ready to hand over to a couple of people I trusted to edit it. Then a few more years until I was girded enough to publish it.

Figured against my costs for publishing, I'm actually still in the red. Not by anything significant, of course, and I don't mind that part. Writing to finance writing is about all that I aspire to, money-wise. And anyway, my dreams of acclaim and royalties were more like outlandish fantasies; almost certainly not going to happen, but "stranger things... " sort of situation. It was about finishing the book, getting it out there, and avoiding the trap of editing it over and over again for years, driving myself irretrievably mad while negligibly improving upon a project that never sees the light of day. For myself, in a way.

Or take self-proclaimed "self-publishing failure" John Winters. He had a book, got frustrated with the query-agent-publisher stage, took his book to Amazon, found the process amazingly easy, didn't sell much, experienced a mysterious sales surge that disappeared just as mysteriously, and sits at the end of it all with a little-noticed, less-sold book. Hits close to home for me and (I shudder to think how many) millions of others. Would you take "for myself," away from him? Then again, Winters also managed to garner a five star review at Amazon; more than I can say for Nos Populus (no reviews is kind of like a perfect rating, right?). He also got to write a piece for Salon, so he's got that going. You can purchase a copy of Winters' book here. And here's his blog.

People sometimes ask me how my book sales are going. It reminds me of when I was unemployed immediately after college and I'd hear "how's the job search going?" They're making me think about this draining, demoralizing, seemingly futile process. And they can't think it's going well, or they'd have already heard about it. It takes whatever remaining socialization skills I still possess not to scream back, "Haven't you heard? I've sold nine billion copies! I'm the McDonald's of self-publishing!" But that's not fair to them. Is it? No, probably not.

I am sorry to sound bitter. Although in a world where Snooki gets to have multiple books published (she can use the words "my new book;" think about that), Paris Hilton gets a record deal, and Grumpy Cat is in talks for a film, one can't be totally surprised when creative-types who bust their asses to realize the same dreams just want to shove a shard of broken glass into their respective jugulars.

The point is, in a field as punishing as trying to write for others, having "the personal" to fall back on is as much a crutch as it is a parachute made of sanity. Just try not to overuse it.

Monday, November 12, 2012

NaNoWriMo

A post about National Novel Writing Month would've been timelier a week or so ago. But this blog was focused on something else

I'm of two minds about NaNoWriMo. In the first corner is the sick, contrarian part of my brain, the part that balks at anything smacking of booster-ish trendiness. The cutesy portmanteau is enough to readjust the relative position of my eyebrows. And I'm not sure what writer needs Internet-based camaraderie to get them to write. Also, if you're going to pick one month in which to write a novel, wouldn't a thirty-one day month serve you that much better?

While finishing one book that no one wanted doesn't entitle to me to a lot of elitism on the subject, I can say that books are generally not written in a month. A person may be able to write 50K words in thirty days' time (and good on them for doing so), but then there's the editing. And the re-writing. And then the next few rounds of editing after that. It's neither pithy nor romantic to say so, but these are the forgotten elements of writing. The site says--apparently seriously--that the program values "enthusiasm and perseverance over painstaking craft." I blacked out when I first read that one. Woke up a couple of days later, wearing blood stains on an otherwise clean, white smock that I had never seen before. Since I've lost so much time, I'll keep this short: enthusiasm is good, perseverance is great, but it's the painstaking craft that stitches them together.

On the other hand, I really do appreciate anything that encourages people to write more (or any). Writing has usually been a rewarding experience for me and it's something I recommend to anyone who thinks they have might have something to say. There's nothing better for organizing one's thoughts than writing them down. The subject of writing is the closest I've come to proselytizing for anything, if only because advocating for the healing powers of alcohol remains a touchy subject in many circles. And though I'm not sure if everyone has a book in them, as is often claimed, you never know who does until they try. Meeting NaNoWriMo's goal leaves a writer with 50K words at the end of the month, words she can expand upon, or perhaps cut down for a short story. Or even re-purpose altogether to something else that can begin anew in December. That's the test of a writer: knowing how and when to continue or start over and seeing it through regardless. If NaNoWriMo can give people the impetus to start exorcising a long simmering dream, letting my intrinsic distaste for pithy methodology stand in the way seems, well, douchey.

Don't write because this particular month happens to make for some neat alliteration with which to advertise the project. Don't do it because other people are doing it. And don't stop on November 30th (likewise, come next year, if you think up a great idea for a book on October 26th, start then). Write because you have a story you want to tell. If you start with the hope of writing a novel and find that you have a much better short story in the works, run with that: the quality of your output means a hell of a lot more than the quantity. And if your project isn't working out and it's November 25th and you don't have time to start over, start over anyway; nothing is more arbitrary when it comes to writing than start and end times.

Essentially, if you're going to write, write.

Tuesday, August 14, 2012

Hard Work: You're Using Those Words Wrong

Some of the oldest advice most of us can probably remember getting is that one has work hard to get ahead. Or, in many cases, to get anywhere. And it's good advice. Outside of a lucky few, none of us will get the things we want without first putting some kind of down payment of our energies into the pot. And hard work--done right and when remotely rewarding--often carries benefits that are purely for its own sake.

The trouble is that, as with any words in the English language, frequent repetition chips away at meaning and eventually relevance. The concept is replaced with a mantra. It becomes civic religion--a matter of unthinking faith. Before long, we're working ourselves to death and killing our own productivity for the sake of getting to say that we're working hard. We mistake being busy for being productive or, worse still, for being valuable and fulfilled human beings. How many monomaniacs do you know who are fully functional and satisfied people? Work--something we do for the benefits it brings in time of idleness--has become a raison d'etre unto itself. 

Hard work--divided from things like skill and knowledge and devotion--is only a partial virtue. It's sadly become a simplistic, almost solipsistic platitude. It is, of course, a part of the equation. Talent and know-how can get a person decently far on their own but to go much further, one needs to put in grunting, sweaty effort. That's what we mean most often. Physical application, what some still call "elbow grease." This must be paired with an investment of resources--time in particular, but also money and, yes, luck. These elements are what, boiled down, we call "work." And this is fine, as long as we bear this in mind when we talk about "work" and "achievement," rather than turning solid advice into derivative cant. 

As with most things, this misunderstanding was incubated by the Puritans. They loved work. Funny thing there is that the Puritans also liked punishment. Pleasure, that was a dirty word. Idleness, too; that's when the Devil found you. "Joy" in general--a wretched concept. But work and suffering and the banality of martyrdom: that was where salvation lay. We continue to embrace this philosophy long after we've developed things like central heating and indoor plumbing to ensure a quality of life the Puritans could never imagine (and would likely shun us for, anyway--witchcraft and all that). Work, in our language, is now separated from pleasure. They are different spheres entirely thanks to our deeply messed up fore-bearers and we, perhaps understandably, value the more productive sphere even at the expense of its natural balance.

It's become such a singular value that it's taken on meanings that are actually harmful: modern day corporate go-getters, whose eagerness can become catastrophically dangerous. The rest of us are told to keep up, whether we reasonably can or not. Now we have the phrase "workaholics;" how many cues do you take from other -aholics? Eventually "hard work" reaches the end-of-life-cycle for any phrase: political platitude, tailor made for all-star bloviators. It's become such a catch-all for any discussion on success and merit that it's taken on bizarre proportions, even being used to rehabilitate Auschwitz's original motivational poster

An unsuccessful person must not have worked hard enough, it is said. But this conveniently ignores the fact that some people have to work a lot harder than others to get to the same ends--and that there's no scientific measure for "hardness" of work, anyway. It coldly dodges the reality that even the hardest fought battles can be undone with relative ease by an uncaring universe. And it just plain forgets that while hard work is the most egalitarian key to success, it is one among several necessary keys. 

One person endeavors to transport a boulder from a quarry in Colorado to Mars' Valles Marineris. Another creates a new, trendier, less invasive social networking site. By any measure, the boulder-moving was harder work while the network-building was smarter work. And the networker almost certainly reaped greater benefits from her task than did Sisyphus. So you see how the phrase "hard work" can lack real meaning when used inappropriately. A convenient phrase with vague applications and even vaguer implications.

Most of us have probably been told at one point or another that we've worked hard at something. And it might be true. But verifying hard work is awkward: different tolerances for work loads, tasks that look harder/easier than they are, extenuating circumstances, etc. I received such praise from family and friends when I finished Nos Populus. Trouble was, I rarely considered the book to be "work" while writing it. It only became such when it was hard-going and my output was either lousy (qualitatively) or negligible (quantitatively). When I was actually making progress on the book and proud of what I was doing, it was a hobby that I loved and so it never felt like "work." I may never be fortunate enough to experience something like that in what I do for a living. But at least I can supplement my day job with it, giving me the balance of productivity and joy that the 21st Century office job often eschews.

Friday, August 3, 2012

How It Works Now

Patton Oswalt is a comedian.  A very funny one.  Here he is taking time out from a very solid bit in order to tear a heckler a new scream hole.  Last week, Oswalt gave the keynote address at the Just For Laughs Comedy Conference, which is a thing.  You can read his address here.  And I recommend reading it in full, but I want to highlight this:
I need to decide more career stuff for myself and make it happen for myself, and I need to stop waiting to luck out and be given... I’m seeing this notion take form in a lot of my friends. A lot of you out there. You, for instance, the person I’m writing to. Your podcast is amazing. Your videos on your YouTube channel are getting better and better every single one that you make, just like when we did open mics, better and better every week. Your Twitter feed is hilarious.
Now, Oswalt is on a much higher plane than I.  Even aside from his being in a different artistic field, he is so much more talented and successful than I am that it's insulting for me to even make a comparison that ends in his favor.  In fact, I think I have to retract the "plane" analogy.  He's scaling a redwood in California while I'm floundering around the mouth of the Mariana Trench.  And, no, he's not directly speaking to me here.  I've not done a podcast.  I don't have a YouTube channel.  My Twitter feed is not that hilarious.  And, as already mentioned, I'm not a comedian and the things that are useful for up-and-coming comedians aren't necessarily useful for me (though there is some overlap). 

That said, it hits home.  I've covered this previously when talking about my decision to self-publish.  More generally, it's about the niche-ification of pop culture as a whole.  Closer to home, it's about publishers having a harder go of it than they'd gotten used to and there's not a lot of reason to suspect the good times will return.  Not exactly as they were, anyway.  And as with everything else do to with the wrecking ball that is the Internet, this is simultaneously depressing and hope-inspiring. 

In deciding to self-publish, I accepted that my dreams of glory quitting my job to write full-time may be just that: a dream.  I tested my mettle against the gatekeepers and wound up on the same side from which I started.  That's not to say I'll never try again.  Or that some kindly gatekeeper won't give me another shot--a vanishingly small possibility, that one.  The end of "luck" that Oswalt speaks of is a little overblown; there's always a pinch of luck in any successful (or unsuccessful) venture.  But luck is a smaller part of the equation than it used to be.  Or, at least, luck's focus has shifted and the concept of "being given" opportunities doesn't mean what it used to.  The odds of my being magically transported into Writer-dom's Great Beyond are dimmer than they might have been ten-to-fifteen years ago.  And I'm fine with that.

Nos Populus has sold a few copies.  That means a few people have been interested enough to check it out and that they've absorbed at least some of what I had to say there, if I did my job right.  And that may not be humbling in the way that a few thousand readers might be, but it's pretty cool nonetheless.  It's not about money.  It can't be.  I'd drive myself mad if it were.

This blog is getting strong, mostly-steady readership.  I don't know why my stats say that I'm especially popular in Russia, but who am I to complain?  Thanks for the support, Russia!  And if a few people like what I have to say here on THDS, that's also pretty bloody fantastic.

The Internet requires everyone to shift their expectations.  There will still be superstars whose success stories fuel writers all around the globe, most of whom will never taste that kind of notoriety.  But those who believe in what they do and who genuinely love doing it will persist.  Because they want to make it and know that they can.  Because they know that writing--done well--is its own reward.  The impetus will be both.

If all I ever amount to is a decently read blogger with a miniature cult-following in Russia and a couple dozen book sales to his name then, well, this is a damn fun hobby.

Monday, July 30, 2012

This Is What They Call White People Problems

Nos Populus is now available (after some troubles) at Amazon UK (Kindle version and paperback) and Amazon Europe (Kindle, paperback).  For US readers, the link is over there on the side.  It's also here.  Some of you might notice that the price for the paperback is now down a whopping 49 cents to an even $9.50.  Kindle still set at $6.99.  I'd really like to put the book on sale--$1.99 or something--but CreateSpace makes that difficult and, nearest I can tell, such things are at Amazon's whim.  Once I've figured it out, I'll let you know. 

To answer some questions I've had, I am looking into making Nos Populus available elsewhere.  Part of the problem is that to open it up to other stores (and libraries) means reckoning with CreateSpace's minimum pricing schemes; I've been keen on keeping the paperback price set below $10 and I would lose that by expanding availability.  However, if I get enough demand, I may go ahead and do it.  The other, smaller part of the problem is Barnes & Noble refusing to sell books published under an Amazon imprint, though CreateSpace is probably exempt.  I'd love to have Nos Populus available for the Nook and once I come to terms with raising the price for Amazon customers, I'll look into doing that. Once again, you'll be the first to know. 

I doubt Mittens will do any more shambling during his international trip.  What's that?  He has?  Ah, screw it--I'm too tired.  So with the next week looking pretty slow, I'll write some more about Nos Populus and try to tie it into our present mood as the election heats up and also tell you some more about the characters and some of the inspiration for the book.  After all, if you're going to give me money for this thing, you at least to deserve to know some more about it.

See also my previous post on some of the politics of Nos Populus and long-ish excerpts here, here, and here.

Tuesday, April 3, 2012

On Self-Publishing

So I had a book.  Now what?

Well, I could've gone straight to the publishers on my hands and knees, but after some research, I discovered that literary agents are as solid an in as one can get.  The agent thing also seemed less daunting in general.  Maybe it's my lack of a go-getter nature, or my uncertainty in the various negotiating and legal issues and general selling myself that is an agent's job.  I would've been more than happy to lose some of the big money I thought I was going to get (why lie to you or to myself?) to someone who could do that for me, better than I could.  Plus, there are a thousand great resources (three, I found three) to help aspiring authors find who/what they're looking for.  For someone like me--who had a book and nothing else--this was invaluable.

I found it a relief that most agents were very nice people.  I know this because their rejections were mostly very polite.  Save a few, the rejections were peppered with "this seems like a fascinating/interesting/engaging project, but..."  This might be because they were sending form letters, or because the ones who are inclined to write back just want you to keep trying.  They know better than you or I that the industry is in troubleE-books, the fragmentation of options for people's leisure time, the niche-ification of reading interests.  Basically, the Internet.  It was hard enough to get in when the industry was thriving.  It's their jobs in the lurch, too, so they offer all the encouragement they can. 

And that was good, because I got a lot of rejections.  Seventy-something in total (which, from what I understand, still makes me an amateur).  And that was out of the 150-odd agents that looked like they might take my query seriously.  I twice had the enormous thrill of being asked for a partial of 50-100 pages.  One rejected me after that, while the other... well, only they know for sure (call me... please?). 

After a few months of this, I started to accept that this may not be happening for me and to continue to try was the definition of insanity. 

My dad tried self-publishing once (pre-Internet era).  A friend/acquaintance/guy I hung out with a couple of times did it.  And we all know it can be done very successfully, at the extreme end of the dream spectrum.  And all that stuff about the industry being in decline?  That stuff helps self-publishers; it's all interconnected. 

After sifting through some good advice, I decided to use Amazon's CreateSpace, mostly because I was familiar with Amazon and because I would have access to their store immediately.  And--at the risk of sounding like a shill--it could not have been easier.  They walked me through every step, letting me control the process at my speed.  Remedial self-publishing. 

And here we are. 

I don't feel comfortable instructing anyone in the How's of publishing.  I don't know what you want out of your work, you do.  I do know that the industry is rough, that I wanted my book out there, and that they didn't want me.  Maybe Nos Populus will sell twelve obligatory copies to friends and family and then die a quiet death.  But I'll have tried.  And I'll sell a few copies while coming to terms with the fact that my first novel may just be practice

Coming next: Something Completely Diff-- no... no Python quoting.  I have to make some rules, don't I?